It's the closing night at the last drive-in theatre in America, and manager, Cecil Kaufman's planned to show 4 movies; films so rare, they've never been exhibited publicly on American soil, until tonight.
A search and recovery team heads into the haunted swamp to pick up the pieces, and Marybeth learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades.
Two friends, Adam and Steve, struggle to get their morning radio program off of the small town air waves of Holliston and into the big time. Meanwhile, Adam struggles to get over a break up... See full summary »
Steven C. DeWitt Jr.,
A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man (Ray Wise) who claims he can prove that monsters are indeed real.
At first, the concept of a monster documentary is good and the first few minutes are really enjoyable. The footage of asking convention guests about monsters seems genuine, and it could have been a story worth pursuing if a narrative could be built around the interviews.
But once we shift, it becomes obvious that casting Ray Wise is the biggest mistake. Rue Morgue said it (and then let it slide). Aaron Christensen came down hard on Adam Green for this. I am somewhere between the two. I think the concept is really clever, and my admiration for Green lets me be a bit more open-minded. But there really is no getting around it: Wise, who is incredible in this role, simply cannot be anyone other than Ray Wise in a "documentary".
We also learn that Mick Garris is a terrible actor. That should probably come as no surprise, but it is amusing to see that Garris cannot even play Mick Garris for less than five minutes without goofing it up.
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