Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Bill Marks, a former cop dealing with his daughter's death by drinking, is now a federal air marshal. While on a flight from New York to London, Marks gets a text telling him that unless 150 million dollars is transferred to an offshore account, someone will die every 20 minutes. Can he find the terrorist in time and save everyone?Written by
The set for the plane was built slightly larger than a standard commercial airliner, to accommodate Neeson's 6'4" height for filming. See more »
Early in the movie, a flashing red light is repeatedly reflected in the aircraft's right-hand window surrounds. This would be the port navigation light which is on the left. See more »
[answering cell phone]
Yeah. I know, I'm sorry. No, no, you can trust me. I'm fine.
What? I can't hear you. I can't hear you.
See more »
The first part of the end credits is displayed in the fashion of the arrival/departure boards using flipped panels. See more »
This surprised me. A thriller on a plane that has you thinking you know all the answers (because we're such expert movie watches), then flips it. Yes, it's a contrived subplot. And the reasoning behind this terrorist act is goofy, BUT...it is a lot of fun. It interweaves a really elaborate set-up that you have to focus on to understand.
Also, for people who think they're sophisticated in camera motion. Think about that space. The camera moves in (perceived) 360 degrees without a) seeing camera shadow b) camera angle is near impossible with the movements they had. This is visually sophistication that most won't see or care. But it adds a ton to the claustrophobia.
Julianne Moore is great, as always. Neeson is perfect for this role, but one has to wonder how this behemoth of a guy fits in a airplane bathroom.
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