A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
Emily Taylor, despite being reunited with her husband from prison, becomes severely depressed with emotional episodes and suicide attempts. Her psychiatrist, Jonathan Banks, after conferring with her previous doctor, eventually prescribes an experimental new medication called Ablixa. The plot thickens when the side effects of the drug lead to Emily killing her husband in a "sleepwalking" state. With Emily plea-bargained into mental hospital confinement and Dr. Banks' practice crumbling around him, the case seems closed. However, Dr. Banks cannot accept full responsibility and investigates to clear his name. What follows is a dark quest that threatens to tear what's left of his life apart even as he discovers the diabolical truth of this tragedy.Written by
Kenneth Chisholm (firstname.lastname@example.org)
The opening scene shows the murder scene, following Emily's bloody footprints from the kitchen to the bedroom. Later in the film, when the stabbing is depicted, Emily walks toward the bed leaving no footprints, and the camera shows a clear shot of her feet which have no blood on them. See more »
I usually love Steven Soderbergh films. And this one starts off with his usual brilliance and had me hooked for the first half of the film.
The first of the film is well-acted, well-crafted, smart and involving.
Then comes the crunch: without spoiling, the second half of the film is quite different. In a sense the "smart" of the film just becomes an exercise in how "clever" the plot can be at the expense of any emotional truth to the characters. I stopped caring for the ensemble as they started to feel like lifeless pawns following the whims of a "how clever am I?" plot-line. You'll enjoy it if you like a Sunday Afternoon TV Detective movie and like solving the puzzle, but this is not great theatre.
It is better than most films, but only just. Certainly one of Soderbergh's most disappointing. Rooney Mara makes it still watchable - an actress to keep following.
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