Red Crow Mi'kmaq reservation, 1976: By government decree, every Indian child under the age of 16 must attend residential school. In the kingdom of the Crow, that means imprisonment at St. Dymphna's. That means being at the mercy of "Popper", the sadistic Indian agent who runs the school.
A self-obsessed young man makes his way to the party-to-end-all-parties on the last day on Earth, but ends up saving the life of a little girl searching for her father. Their relationship ultimately leads him on the path to redemption.
Jessica De Gouw,
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Red Crow Mi'kmaq reservation, 1976: By government decree, every Indian child under the age of 16 must attend residential school. In the kingdom of the Crow, that meansimprisonment at St. Dymphna's. That means being at the mercy of "Popper", the sadistic Indian agent who runs the school. At 15, Aila is the weed princess of Red Crow. Hustling with her uncle Burner, she sells enough dope to pay Popper her "truancy tax", keeping her out of St. Ds. But when Aila's drug money is stolen and her father Joseph returns from prison, the precarious balance of Aila's world is destroyed. Her only options are to run or fight - and Mi'kmaq don't run.Written by
My Mother Died and Left Me
Arranged by Fred McDowell
Global Jukebox Publishing (BMI) See more »
Challenging and Beautiful- A Must-See
Rhymes for Young Ghouls is a difficult but very important story I believe every Canadian should watch. It poignantly captures the anger of a system that leaves one powerless; it is artful, relentless, and occasionally funny. Harsh reality blends with magical realism as the film explores themes of childhood vs. adulthood, power vs. powerlessness, and forgetting vs. remembering.
As a non-Indigenous viewer I can't speak to how accurately it describes life on a reservation during the time of residential schools, but the daily challenges of the community, terrors of residential schools and relationship with the Indian Agent ring true to so many of the stories shared by elders at the Truth and Reconciliation Commission.
Metis writer Chelsea Vowel writes in "Why Every Canadian Should Watch Rhymes for Young Ghouls" that it "is not just a film. It is a glimpse into something none of us really want to see but must face". I appreciated her review on CBC:
"For me, the familiarity of the events: alcoholism leading to accidental death, suicide, incarceration, poverty, the vulnerability of having only illegal means to keep oneself and one's family safe, the brooding presence of the residential school; all of it evoked a litany of statistics that are all too real in too many indigenous communities.
Even though it is a work of fiction, and some facts were blended for dramatic reasons, every single event portrayed has happened, and is happening in our communities. And this should be what haunts all Canadians.
The fact that this film was set in the 70's, when my parents were young adults on their way to starting our family, affected me in a way I could have never expected. It was too close for comfort. I was born in that decade. This is far from being ancient history.
The absolute power of the Indian agent highlighted in this film at first seems implausible. That is, until you learn about the history of the Indian Act. The power of the Indian agent to withhold rations and blankets, resulting in the deaths of indigenous people in the late 1800's, was not lessened, but merely changed form with every Indian Act amendment, well into the late 20thcentury.
Was there ever an Indian agent this corrupt, this vile, this abusive? Perhaps not in exactly the same way as portrayed in this film, but based on the stories that exist in indigenous communities, this character is not wholly unbelievable. The system created to give power to Indian agents created the perfect opportunity for abuse of that power."
At times the writing and scene transitions are a little rough, but it seems to work with the rough storyline and the incredible acting more than makes up for it. I would recommend this film to all Canadians- it is neither resoundingly hopeful or hopeless, but a haunting telling of Canada's seldom-told history.
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