When a recent widower consumed with regret seeks absolution in riding his motorcycle cross-country to confront the mistakes of his past, he unexpectedly discovers that life is about moving forward, one mile at a time.
Penelope Ann Miller,
Polly's dreams of making it as an actor are shattered when her twin sister catapults to international stardom. Scrambling to catch up - Polly juggles woeful auditions, painfully awkward dates and her underwhelming job at the local cinema.
Cassidy is a struggling actress, grinding out auditions, worrying that any chance at stardom may have already passed her by. Desperate to save money to move to Hollywood, she takes a job working as a runner for her mother's boyfriend.
THE TOY GUN is a funny dark comedy about a character who looks to show the world the despair his ex-wife has left him in through a poorly thought out gesture, only to find himself worthy to... See full summary »
When the 1989 "one-hit-wonder" glam-metal band "Sonic Grave" embark on a trip to Coachella in hopes of a comeback, their peyote trip pit stop in Joshua Tree incites an "unworldly" viscous attack, and they must "rock" themselves out of harms way.
The biopic depicts Flynn's roust-about early life in Australia, before he became an internationally famed celebrity. In those days he was an adventurer, opium smuggler, gambler, street fighter, womanizer, and gold prospector. The film, based on Flynn's early autobiography "Beam Ends," was written for the screen by Large and Luke Flynn, who found the inspiration as a result of their travels through Australia in the footsteps of Luke's iconic grandfather. Film production will start next July in Australia with a budget of $12 million. The book's title refers to the last visible sign before a ship sinks.
Fact has little to do with this flick. Neither does good storytelling. Every time it starts to roll (which is rare), it comes to a dead stop, and those stops last for a very long time. Frankly, this film is so off with the self-indulgent daisies that one would think it was written and directed by the same person. The thing is stuffed with dull, drawn-out scenes that are only used to provide a breather and story point between the meat of a film but they are made to be the meat with the action merely serving as a distraction.
There are some signs of stupidity in this film, such as a backdrop intended to be filmed from a distance, but with the opening view of it - a studio water tower - being so close as to make it look skewed and so lacking in detail as to be obviously fake. A good director would have noticed the badly skewed water tower, but this fellow simply blew it off.
As Flynn's last film was in 1960 (released the year after he died) one wonders about the timing of this film, as virtually no one these days has ever heard of him.
Overall, this movie squeezes about thirty minutes of story into an hour and a half of film. It is passably amusing, sometimes boring, and shows a lack of competence on the part of the director, particularly in the area of storytelling.
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