Australian western set on the Northern Territory frontier in the 1920s, where justice itself is put on trial when an aged Aboriginal farmhand shoots a white man in self-defense and goes on the run as a posse gathers to hunt him down.
In Brooklyn, New York, Kyra (Michelle Pfeiffer) loses her job and struggles to survive on her ailing mother's income. As the weeks and months go on, her problems worsen. This leads her on a risky and enigmatic path that threatens her life.
A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant unravels the mystery, she must confront her own understanding of friendship, truth and celebrity.
After receiving news of her father's death, Alice, a young travelling sheep-shearer, tentatively decides to return to the dilapidated family house of her childhood, in muddy North Yorkshire. Surprisingly, it's been already fifteen years since Alice left behind an ailing dad and her older brother, Joe, to wander about from farm to farm; however, this cold and heavy homecoming will be Alice's last chance to reclaim the land she believes was once promised to her. But, now, on one hand, there's Joe's resentment paired with a rancorous rivalry between siblings--while, on the other hand--fleeting mournful shadows of a troubled past permeate the walls of an imperfect prize. What will it take to keep the haunting memories at bay?Written by
We should cut that field.
I don't cut for silage. I leave it for hay.
They're all skin and bone.
Come here. I wanna show you summat.
It's shepherd's needle. You don't see it very often. Not round here, anyway. When it comes through its seed pods, they look like a needle. When you cut it for silage, all you end up doing is... killing everything that's under it. In one acre of hay meadow... you've got 400 million insects. 600 million mites. Two million spiders. Burnet moths....
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