Analysis Paralysis is an LGBTQ romantic comedy about the intersection of imagination and anxiety, and the courage to reach for love. The story begins when Tyler O'Conner, a young gay author... See full summary »
Jason T. Gaffney
Jason T. Gaffney,
After being sent to a youth detention centre, 18-year-old Andrej has to fight for his place within the group of inmates while getting closer to Zeljko, their informal leader, and struggling to keep his repressed secret in the dark.
Teenager Ariel lives a seemingly quiet life with his father and sister on their picturesque farm in a rural part of Buenos Aires. However, unbeknownst to his family, Ariel has been abused ... See full summary »
José Celestino Campusano
The short drama film Dòst tells the tough coming of age process of best friends Alko and Björn in a small rural village community. Between agricultural weekend work and partying, dealing ... See full summary »
Henk Jan Doornbosch,
Young Lucas lives with his religious aunt in a quiet country town. But this little agitated life is with the days counted when the charitable aunt announces the arrival of another nephew Mario, just out of jail.
A married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student.
I was lucky enough to see the European premiere of 'Papi Chulo' at the London Film Festival. And what a wonderful movie this is. On its face, the tale of a lonely weatherman and the connection he develops with the Latino day laborer he hires to do some painting, on a deeper level it is a moving exploration of loneliness. Do not let that put you off, however. This is not a depressing movie; it has moments of true, laugh-out-loud comedy as well as moments of real tragedy that lead finally to a warm, hopeful ending.
All the performances work. Alejandro Patiño is very good as a man of basic decency and honesty who finds himself in some awkward situations and reacts in the best way he knows how - or, frankly, anyone could be expected to. But the movie hangs on Bomer's performance - he is in almost every scene - and he delivers and then some. Everything about the performance hits the mark, from heartwarming comedy to heartbreaking tragedy, Bomer clearly went all in, but avoids histrionics to bring to the screen a visceral, moving, touching portrayal of a man struggling to deal with grief and immense loss the best way he knows how. In a more mainstream movie (and a fairer world), I honestly believe this performance would garner awards attention.
John Butler's writing and direction are all thoroughly accomplished, exploring big themes via his main character's contained, personal story. The screenplay is beautifully paced, never rushing but never slow. There are highlight scenes both at the comedic end of the spectrum (the 'singing Madonna in the taxi' scene manages to be both moving and funny) and at the tragic (some of Bomer's finest moments in the film).
There is nothing showy about this movie - there's no big budget or effects - but it does what it sets out to do perfectly. I very rarely give a 10 to anything, but I give one to this because I honestly can't think of anything that could be improved within the scope of this film's ambitions. It is a thoroughly satisfying movie-going experience: it provides laughter and tears, gives food for thought on multiple fronts, and finds its way to a satisfying, but not trite, ending.
Congratulations to all involved. I hope this movie finds distribution deals that allow as many people as possible to see it in theatres, and fingers crossed for streaming distribution that will allow the millions of people to see it that it deserves.
34 of 40 people found this review helpful.
Was this review helpful to you?
| Report this