Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Chloë Grace Moretz,
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
In the mid 1990's, 20 French urban dancers join together for a three-day rehearsal in a closed-down boarding school located at the heart of a forest to share one last dance. They then make one last party around a large sangria bowl. Quickly, the atmosphere becomes charged and a strange madness will seize them the whole night. If it seems obvious to them that they have been drugged, they neither know by who nor why. And it's soon impossible for them to resist to their neuroses and psychoses, numbed by the hypnotic and the increasing electric rhythm of the music. While some feel in paradise, most of them plunge into hell.Written by
Gaspar Noé's first film to receive an R rating from the MPAA. See more »
While the movie is supposed to be set in 1996, which is confirmed by the clothes, the music and the lack of smartphones, the French spoken in the film is very much 2010s, with many anglicisms or other recent verbal tics heard throughout the movie. This is due to the improvised dialogue from the cast working off of a five-page script. See more »
Oh, you're so good! Thank you, thank...
You liked it?
I'm so happy. I couldn't be happier.
See more »
The opening logos start at around 9 minutes in. The actual opening title sequence starts around halfway through the film. See more »
Love it or hate it, this film is technically astonishing and whatever it's trying to do, it's doing it very well. It's almost like they've trapped the true essence of French Extremism, set it on fire, and followed it with a steady cam.
The camera work in this is surreal and its movements, along with the actors' choreography, are surprisingly well coordinated for a "write-as-we-go" film.
Climax will make you feel a lot of things and I don't think you're going to like how most of those things feel, but that's exactly what makes Climax a very well executed horrifying experience.
28 of 49 people found this review helpful.
Was this review helpful to you?
| Report this